| Ident. | Authors (with country if any) | Title |
|---|
| 001632 (2007) |
Andrew V. Jones [Royaume-Uni] | The Composer as Dramatist: Handel’s Contribution to the Libretto of ‘Rodelinda’ |
| 001654 (2007) |
Benjamin Wolf | Ibbs and Tillett: The Rise and Fall of a Musical Empire |
| 001825 (2006) |
Diane M. Paige | Šárka |
| 001826 (2006) |
Laura Basini | Vocal Apparitions: The Attraction of Cinema to Opera. By Michal Grover-Friedlander. pp. xiv + 186. Princeton Studies in Opera. (Princeton University Press, Princeton and Oxford, 2005, £21.50. ISBN 0-691-12008-0.) |
| 001827 (2006) |
Jacqueline Waeber | Théâtre et opéra à l’âge classique: Une familière étrangeté. By Catherine Kintzler. pp. 335. Les Chemins de la musique. (Fayard, Paris, 2004. €20. ISBN 2-213-62125-X.) |
| 001833 (2006) |
Christopher Morris | Opera and Modern Culture: Wagner and Strauss |
| 001834 (2006) |
Sarah Hibberd | Murder in the Cathedral? Stradella, Musical Power, and Performing the Past in 1830s Paris |
| 001836 (2006) |
Joseph P. Swain | How Sondheim Found his Sound. By Steve Swayne. pp. xvi + 320. (University of Michigan Press, Ann Arbor, 2005, $30. ISBN 0-472-11497-2.) |
| 001837 (2006) |
Lorraine Byrne | Goethes Musiktheater: Singspiele, Opern, Festspiele, ‘Faust’ |
| 001838 (2006) |
Nick Chadwick | German Modernism: Music and the Arts. By Walter Frisch. pp. x + 322. (University of California Press, Berkeley and Los Angeles, 2005, £29.95. ISBN 0-520-24301-3.) |
| 001839 (2006) |
Peter Van Der Merwe | Gender and Sexuality in South African Music. Ed. by Chris Walton and Stephanus Muller. pp. xii + 97. (SUN ePreSS, Stellenbosch, 2005, R150. ISBN 1-919980-40-7.) |
| 001840 (2006) |
Pauline Fairclough | Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, £30. ISBN 0-300-10650-5.) |
| 001842 (2006) |
Philip Gossett | Carteggio Verdi–Somma |
| 001843 (2006) |
Diana R. Hallman | Berlioz: Past, Present, Future. Bicentenary Essays |
| 001844 (2006) |
John Warrack | August Bungert: Ein Komponist im deutschen Kaiserreich |
| 001852 (2006) |
Kenneth Birkin | The Richard Strauss Companion. Ed. by Mark-Daniel Schmid. pp. xvi + 466. (Praeger, Westport, Conn. and London, 2003, £65. ISBN 0-313-27901-2.) |
| 001857 (2006) |
David Charlton | The Bals publics at the Paris Opéra in the Eighteenth Century. By Richard Semmens. pp. viii + 216. Dance & Music Series, 13. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-034-2.) |
| 001860 (2006) |
William E. Hettrick | Syntagma Musicum III: Michael Praetorius. Ed. & trans. by Jeffery Kite-Powell. pp. xxix + 265. Oxford Early Music Series. (Oxford University Press, New York and Oxford, 2004, £46.99. ISBN 0-19-514563-1.) |
| 001866 (2006) |
Bjo Rn Heile | Recent Approaches to Experimental Music Theatre and Contemporary Opera |
| 001872 (2006) |
Emanuele Senici | Opera on Stage. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kate Singleton. pp. xii + 346. The History of Italian Opera, 5. (University of Chicago Press, Chicago and London, 2002, $55. ISBN 0-226-04591-9.) Opera in Theory and Practice, Image and Myth. Ed. by Lorenzo Bianconi and Giorgio Pestelli. Trans. by Kenneth Chalmers and Mary Whittall. pp. xiv + 456. The History of Italian Opera, 6. (University of Chicago Press, Chicago and London, 2003, $70. ISBN 0-226-04592-7.) |
| 001881 (2006) |
Sarah Hibberd | La Révolution des Bouffons: L’opéra italien au Théâtre de Monsieur 1789–1792. By Alessandro Di Profio. pp. 561. Sciences de la musique. (CNRS Éditions, Paris, 2003, €45. ISBN 2-271-06017-6.) |
| 001886 (2006) |
Julian Rushton | From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. By Daniel Heartz and ed. by John A. Rice. pp. xvi + 335. Opera Series, 1. (Pendragon, Hillsdale, NY, 2004, $54. ISBN 1-57647-081-4.) |
| 001887 (2006) |
Laura Tunbridge | From Count to Chimney Sweep: Byron’s ‘Manfred’ in London Theatres |
| 001891 (2006) |
Marcia J. Citron | Encyclopedia of Opera on Screen: A Guide to More than 100 Years of Opera Films, Videos, and DVDs. By Ken Wlaschin. 2nd, rev. edn. pp. xiv + 872. (Yale University Press, New Haven and London, 2004, £45. ISBN 0-300-10263-1.) Cinema’s Illusions, Opera’s Allure: The Operatic Impulse in Film. By David Schroeder. pp. xii + 372. (Continuum, New York and London, 2003, £12.99. ISBN 0-8264-1536-9.) |
| 001904 (2006) |
Charles Dill | Angels and Monsters: Male and Female Sopranos in the Story of Opera, 1600–1900. By Richard Somerset-Ward. pp. xiv + 325. (Yale University Press, New Haven and London, 2004, £25. ISBN 0‐300-09968-1.) |
| 001A23 (2005) |
Richard Freedman | ‘L’Église des Français’ de Strasbourg (1538–1563): Rayonnement européen de sa liturgie et de ses psautiers. By Robert Weeda. pp. 170. Collection d’études musicologiques, 94. (Valentin Koerner, Baden-Baden and Bouxwiller, 2004, €58. ISBN 3-87320-594-7.) |
| 001A28 (2005) |
Alberto Rizzuti | Viganò’s ‘Giovanna d’Arco’ and Manzoni’s ‘March 1821’ in the Storm of 1821 Italy |
| 001A36 (2005) |
Mark Kroll | Two Important New Sources for the Music of Charles Avison |
| 001A40 (2005) |
Don Fader | The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 |
| 001A50 (2005) |
Nanette Nielsen | The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist. By Claire Taylor-Jay. pp. viii + 225. (Ashgate, Aldershot and Burlington, Vt., 2004, £42.50. ISBN 0-7546-0578-7.) |
| 001A62 (2005) |
Mark Everist | Review: Il viaggio a Reims |
| 001A64 (2005) |
David Charlton | Review: Étienne-Nicolas Méhul and Opera: Source and Archival Studies of Lyric Theatre during the French Revolution, Consulate and Empire |
| 001A73 (2005) |
Lucy Walker | Opera: The Art of Dying. By Linda Hutcheon and Michael Hutcheon. pp. x + 239. (Harvard University Press, Cambridge, Mass. and London, 2004, £18.95. ISBN 0-674-01326-3.) |
| 001A83 (2005) |
Alexandra Wilson | Modernism and the Machine Woman in Puccini’s ‘Turandot’ |
| 001A85 (2005) |
Andreas Giger | L’Opéra en France et en Italie (1791–1925): Une Scène privilégiée d’échanges littéraires et musicaux. Actes du colloque franco-italien tenu à l’Académie musicale de Villecroze (16–18 octobre 1997), ed. Hervé Lacombe. pp. 320. Publications de la Société française de musicologie, 8. (Société française de musicologie, Paris, 2000, €25. ISBN 2-85357-011-8.) |
| 001A86 (2005) |
Rachel A. Lewis | Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question |
| 001A87 (2005) |
Arnold Whittall | Letters from a Life: Selected Letters of Benjamin Britten, Vol. 3: 1946–1951. Ed. by Donald Mitchell, Philip Reed, and Mervyn Cooke. pp. xxvi + 758. (Faber, London, 2004, £25. ISBN 0-571-22282-X.) |
| 001B20 (2005) |
Shersten Johnson | Britten’s Musical Syllables |
| 001B27 (2005) |
Buford Norman | Aesthetics of Opera in the Ancien Régime, 1647–1785. By Downing A. Thomas. pp. viii + 411. Cambridge Studies in Opera. (Cambridge University Press, 2002, £55. ISBN 0-521-80188-5.) |
| 001C62 (2004) |
Michael Puri | Review: Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg |
| 001C63 (2004) |
James Garratt | Review: Music and German National Identity |
| 001C64 (2004) |
James Garratt | Review: Carl Maria von Weber and the Search for a German Opera |
| 001E29 (2003) |
Wendy Heller [États-Unis] | ‘A Present for the Ladies’: Ovid, Montaigne, and the Redemption of Purcell's Dido |
| 001E55 (2003) |
Helen M. Greenwald | Review: Opera: A History in Documents |
| 001E56 (2003) |
Winton Dean | Review: Italian Opera in Late Eighteenth‐Century London, ii: The Pantheon Opera and its Aftermath 1789–1795 |
| 001E57 (2003) |
David Mackie | Review: A Most Ingenious Paradox: The Art of Gilbert and Sullivan |
| 001E78 (2003) |
Mary Ann Parker | Handel's ‘Il trionfo del Tempo e del Disinganno’: A Petrarchan Vision in Baroque Style |
| 001E86 (2003) |
James Ross | D'Indy's ‘Fervaal’: Reconstructing French Identity at the ‘Fin de Siècle’ |
| 001E89 (2003) |
Michael Burden [Royaume-Uni] | Casting Issues in the Original Production of Purcell's Opera ‘The Fairy‐Queen’ |
| 002034 (2002) |
Ann Van Allen Ussell | ‘For Instruments not Intended’: The Second J. C. Bach Lawsuit |
| 002035 (2002) |
Steven Huebner | Zola the Sower |
